As announced with a moderate amount of fanfares, THE ROLLING STONES‘ 1973 classic “Goats Head Soup” will be reissued in various formats on September 4th. But while many fans will focus on the box set that features, alongside the album’s newly remaixed version, a smattering of alternative takes and three previously unreleased cuts – including “Scarlet” which has Jimmy Page and Ric Grech parts – as well as a concert document unavailable outside of Japan, there will also be a cassette variant on sale. A limited edition, it’s to comprise only the LP’s stereo remix, yet it’s a sign of the times that it may become the most coveted, collector’s item.
Of course, those wanting to hear more should prepare some cash because the super deluxe set is quite pricey, what with a 120-page book and four posters that accompany the discs, and a 4LP version isn’t cheap either, but 2CD-, single CD- and 2LP releases are accessible.
Almost half a century after its release, “Live” remains the best entry in the COLOSSEUM catalogue, having captured the British ensemble at the height of their flight. This album has seen a few digitized appearances over the years, an expanded reissue on Esoteric being probably most impressive, yet the demand for the band’s recording hasn’t diminished so, in addition to the concert bootleg series announced earlier, Repertoire Records is to offer an alternative version of that classic. The double-disc “Live ’71” – first on CD and, in August, on vinyl – will feature the sextet’s Canterbury University set in its entirety on one disc and basically replicate the previous reissue’s bonus disc on the other, with the exception of “Stormy Monday Blues” which was laid down in Manchester, not Bristol.
Mark “Moogy” Klingman was a musicians’ musician, his songs recorded by rock, blues and pop elite – “I’m A Free Man” by James Cotton, “Ain’t That A Kindness” by Johnny Winter, “Just A Sinner” by Carly Simon, “Let Me Just Follow” by Bette Midler, “Friends” by Midler and Barry Manilow – and served as a musical director for various artists and projects, also producing and playing keyboards. Moogy toured with Lou Reed and played with his pal Andy Kaufman, but it’s another of Klingman’s buddies, Todd Rundgren, that he’s always associated with. Mark’s stint with the latter’s UTOPIA may not have been long, spanning the band’s first years and two albums, yet when the veteran fell ill, Todd organized concerts to raise funds for his medical expenses – in January and November of 2011. Unfortunately, Moogy died from cancer three days before the second one, on November 15th. Both were recorded, though, and May 1st will see the release of a 4CD/2DVD box set comprising the two sets.
Mostly remembered by “I Love Rock ‘n’ Roll” – a song he co-penned in 1975 while in THE ARROWS and taken to the top of the charts by Joan Jett in 1982 – Alan Merrill, who passed away on March 29th, aged 69, from coronavirus, always refused to be defined by this single piece. Of course, the veteran had to deliver it every time he hit the stage, but Alan used to find much more pride – even recently – in VODKA COLLINS, a glam-rock group formed in the early ’70s when the American artist, having passed an audition for THE LEFT BANKE and released a solo album, worked in Japan trying to shake off his teenage heartthrob image.
Glenn Danzig‘s love for vintage rock is no secret – after all, he was privileged to indulge it by writing songs for Roy Orbison and Johnny Cash – but the American punk’s connection to Elvis Presley was vividly manifested only one, in his “Legacy” TV special. Yet five years down the line, the veteran releases – on April 17th – the album titled “Danzig Sings Elvis” and feauturing his interpretations of the King’s classics such as “Love Me” and, most importantly, deep cuts like “Pocketful Of Rainbows” that only true fans cherish.