
Calling Michael Giles an assuming legend would doing a disservice to one of the greatest rock drummers. Mostly known for his playing on two first platters by KING CRIMSON – "In The Court Of The Crimson King" and "In The Wake Of Poseidon" – and then recording a self-titled album with his former colleague Ian McDonald, he might not have a stellar career after that, but Giles’s subsequent appearances, which included such works as Greg Lake‘s eponymous LP and "Wise After The Event" by Anthony Phillips as well as Leo Sayers’s debut and Roger Glover’s “The Butterfly Ball”, were always notable. Michael hasn’t really cut a personal path under his own name, the only longplay credited to the veteran being “Progress” – laid down in 1978 yet released in 2002 – until now.


