TM Stevens Passed Away

March 12, 2024

The average listener didn’t have to be familiar with the name of TM Stevens to have heard and loved his highly original bass-playing. The American musician who passed away on March 10th at the age of 72 was present on such radio staples as “Living In America” by James Brown, “Unchain My Heart” by Joe Cocker and “The Best” by Tina Turner, and it was his instrument which supported the rhythm on such hits as “No Man’s Land” by Billy Joel and “Don’t Get Me Wrong” by THE PRETENDERS. A unique performer, Thomas Michael – that’s what “TM” stood for – seemed fearless, not afraid to record and grace the stage alongside fellow low-end legends Victor Wooten and Bootsy Collins or front jazz heroes THE HEADHUNTERS on tour, while exploring heavier possibilities with Steve Vai on “Sex & Religion” or, before the audience, with Carmine Appice and Pat Travers.

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Jay Tausig Deep-Dives Into VDGG and Daevid Allen’s Gems

March 11, 2024

Ambition and submission: these contradictory concepts underlie each and every tribute album that’s masterminded by a single artist or ensemble who choose to sculpt an entire record out of another performer’s pieces and creatively appropriate other people’s classics while being faithful to originals. It’s a difficult task, yet Jay Tausig is experienced, and respected, enough to not only embark on such a trip but also have fun with the endeavor of covering his favorite compositions – or, rather, endeavors, as March 7th and 9th saw the Californian multi-instrumentalist issue two records, a homage to VAN DER GRAAF GENERATOR and to his great late friend Daevid Allen of SOFT MACHINE and, of course, GONG fame.

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Brian Johnson And Paul Rodgers Join Guests On Slash’s Blues Do

March 9, 2024

There’s nothing Slash can’t play, and he’s dabble in quite a few different genres over the last decades, but all that the guitarist does can be boiled down to a single thread: the blues. However, fully immersing himself in it took Saul Hudson some time and some solo journey, yet May 17th will see the American artist circle back to his 2010 eponymous debut and build on its multi-singer foundation to create what promises to become a classic album – unattractively titled “Orgy Of The Damned” and featuring dozen cuts of which eleven are covers of evergreen material.

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Nils Lofgren’s Unreleased Treasures, With Lou Gramm On, Are Out

March 9, 2024

It’s been almost five decades since Nils Lofgren started out as a solo artist in his own right, yet the veteran’s archive, bursting at the seams, contains pieces dating back even longer than that, and although his latest album was issued less than a year ago, the legendary musician decided, without much ado, to release an archival collection. What was unveiled on digital platforms on March 9th consists of, in his words, songs left behind: demos and outtakes.

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Phil Keaggy Relives His Halcyon Day

March 7, 2024

Respected by the best players in the world, quite a few of whom felt privileged to record with him, Phil Keaggy‘s stylistic expertise has always been expansive, spanning from prog of GLASS HARP to fusion that saw the American guitarist pull in his orbit the likes of Leland Sklar and John Patitucci, to sonic experiments in the company of Tony Levin and Jerry Marotta. All of this makes the veterans first solo album, “What A Day” from 1973, all the more interesting – because he performed on that platter alone, handling every instrument – and, of course, vocals, and creating not only one of the most prominent opuses to bear the “Christian rock” tag but also a work of rare beauty. And now, five decades down the line, a time came to explore it in details.

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